The Episodic Theatre Project

“Melissa and Lianna have thoughtfully created a space to launch the next generation of theatre artists.”

- Nicky Longo (Director in Season 2)

Reviews

  • “As a writer, opportunities to see your own work produced are few and far between. And yet, hearing work aloud is vital to understanding the way it functions in real time. It was such a gift to be able to work with stellar actors on very malleable material. Given the space and time to explore, we were able to make leaps we never would have reached strictly on the page.”

    Liv Wilson (Season 1 Writer)

  • "The multi-week nature of the process was a unique experience that both left me satisfied at the end of each episode and kept me coming back for more each week. Over the course of the project, I became invested in the characters' journeys and looked forward to diving deeper into the spotlighted character in each episode, coming back again and again to collect each piece of the full story."

    Billy Issertell (Audience Member)

The Episodic Theatre Project (ETP) is a New York City-based collective that presents a serialized theatrical presentation each spring based on a different theme: one epic story told over five self-contained plays. It pushes the boundaries of how addictive theatre can be, and just like your favorite television show, have you come back to watch the whole series!

Who We Are

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Who We Are *

Charlie Foster (left) and Leah Getz (right) in BARDCORE (Season 1); photo by Samori Etienne

Our Mission

ETP aims to create a community among majority female and BIPOC artists at a turning point in their careers and reigniting a passion for live performance within anyone who loves stories.

By providing professional collaboration and risk-taking opportunities and pushing the limits of the theatrical medium, ETP celebrates the magic of making and ensures that theater not only survives but flourishes.

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If you are interested in supporting our work, please support The Episodic Theatre Project below. No amount is too small.

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